Offline personal wiki tool ConnectedText is ideal for college students, researchers, writers, and anyone else who needs the ability to mix freeform text with keywords and structure, or to perform queries and aggregations based on arbitrary criteria. The new version 6 adds long-needed enhancements to content aggregation, display, and searching.
I’ve been using the text expansion software PhraseExpander Pro for about three weeks now on a continual basis, as I carry on writing up my PhD thesis. I’m also testing it to fulfil my promise to write a review of it at the end. So far it’s been working very well, as I enjoy its speed, its universal functioning across all of my writing applications, the ease of importing my existing word lists from my previous text expansion application, and the ease of adding new phrases. As I’m not a touch-typist, a text expansion tool for me is a must.
I only had one minor gripe with it so far. I’ve got used to using text expansion software in a somewhat unorthodox way. As I don’t want the cognitive burden of having to remember hundreds of shortcuts, I prefer to set up my phrase lists in such a way that I can just start typing the first few letters of a word, and a list of matching phrases in the drop-down box (that appears by the cursor as I type) gets whittled down, with the intended phrase gradually rising to the top of the list as the match becomes more complete.
Here is an example. Let’s say I want to type the word “conceptual.” I would just type “con” and I would get the following matches in PhraseExpander’s SmartComplete popup window:
Then I would just carry on typing until the desired word gets either to the top, at which point I hit the confirmation key (Tab, in my case) to insert it into the text, or near the top, so I can use the arrow key to select it first (alternatively you could also click on it with the mouse):
Well, PhraseExpander didn’t quite support my use case perfectly. It worked fine most of the time; however, because it was more geared towards supporting the use of shortcuts, its SmartComplete feature would sometimes try to match the final letter of the word after matching the first two letters, rather than produce a 100% front-end match. For example, after typing “con,” I would have a word like “competition” show up at the top of the list, presumably because the first two letters and the final letter had matched. However, that’s not what I wanted.
After I explained my problem to the developer, it only took him a couple of days to come up with the solution. I don’t completely understand what he did to his algorithm, but the new version works even better than I could have ever imagined. Not only does it fully support my way of narrowing down the phrase list in the popup box by matching 100% of my typed letters, but it also allows me to type any letter from the word beyond the first two letters, and the intended word jumps up the list! I discovered this first by accident, when I mistyped my intended word, yet it showed up at the top of my list, as if the software was able to read my mind. Then I realised that I had typed a letter that appeared further down in the word.
Here is how my earlier example works now in the latest version of PhraseExpander. First I type “con” and I get the same list as above. In order to get to the word “conceptual” the fastest way, all I need to do is type one additional letter that sets it apart from the words above it. In this case it would be the letter “l”, as neither of the words above it have it. So, I type “conl”, and, as if by magic, “conceptual” jumps to the top of the list, so all I need to do is hit the Tab key to insert it.
The point here is that the SmartComplete box gives you a visual clue as to what shortcut to type in order to select the desired word, which is much more useful (to me at least) than having to memorise the shortcut—and it also obviates the need to use the arrow key.
How many initial letters and additional ones you need to type will depend on the content of your phrase list. If there are a lot of words starting with the exact same three or four letters, then you need to do a bit more typing to get to the result. But in the case of rarer words, even typing the first two letters plus any one other letter might get you the desired phrase. It is also possible to manipulate the order in which the words usually show up, by shortening the shortcut phrases for those that are more frequently used, which will make them show up nearer to the top of the list. For example, when I start typing “emp,” I want the word “empiricist” to show up sooner than the phrase “empirical description,” and “empirical evidence” sooner than “empirical data.” So I shortened the shortcuts accordingly:
In any case, I was very impressed by the developer’s prompt response and his ingenious solution. If you are an existing PhraseExpander user, I strongly recommend downloading the latest version (v. 3.9.6) that has the new updated SmartComplete feature. And if you have not tried PhraseExpander before, the Pro version (which contains the SmartComplete feature) can be trialled for 21 days. I can highly recommend it to anyone who needs to type a lot of repetitive phrases all day long, every day, or words that are long, difficult to spell, or a nuisance to type (such as Markdown code for inserting an image with a long Dropbox link into an HTML page—I’ll say more about this very useful trick in another post).
Natalie Houston, associate professor of English at the University of Houston, discusses Gingko app on the ProfHacker blog at The Chronicle of Higher Education.
I’ve been using Gingko for a couple of weeks and really like it. I find it’s especially valuable for collecting ideas and notes about a topic and then developing more structured pieces of writing from them. As a spatial thinker, I often write ideas or paragraph stubs on index cards or half-sheets of paper and move them around on a table; this tool lets me integrate the same kind of planning with my writing process. I already do a lot of my work in plain text format, so I appreciate the ease with which Gingko exports files and integrates in to my existing workflow. Finally, although I certainly could (and often did, before finding this app) simply create a lot of individual text files as virtual “cards” on my desktop, the clean visual display that Gingko offers really appeals to me. This is the first digital tool that offers mindmapping-like features in what is for me a truly intuitive design. I’m going to continue using Gingko for my own work and look forward to its continued development.
My screenshot-taking needs are usually not very complex, which is why I had been a happy user of the easy-to-use Greenshot (free and open source). However, recently I ran into a problem where another software’s pop-up box I wanted to capture would disappear as soon as I’d touch the keyboard to take a screenshot with Greenshot.
Then I remembered that I still had a copy of Screenshot Captor (SC), which the first time put me off with its busier interface. However, having spent a bit more time with SC, I was amazed with all the extra and really well-thought-out functionality. Its Quick-Capture bar turned out to be the solution to my problem, as I could take the screenshot with one click of the mouse, which overrode the keyboard sensitivity of the software window I wanted to capture.
Since then I’ve switched to SC as my main screenshot software, as it speeds up greatly the whole process of capturing the screenshot, editing the file name, and editing the image itself, as part of e.g. creating screenshots for this blog. All the shots for my previous post on Gingko were taken with Screenshot Captor.
Manfred Kuehn on how he uses ConnectedText for keeping a journal. It probably will make the most sense to those who are already ConnectedText users.
I’ve tried a wide range of outlining and writing tools for Windows over the last few years, in preparation for the big task of writing up my doctoral thesis, so I managed to surprise even myself when after all that careful consideration I chose a web-based tool that I have only found out about barely a month ago. But when push came to shove, and I had to start writing according to a regimented writing schedule, I opted for the newcomer called Gingko app over my old-time favourites oft discussed here.
It is actually not that easy to describe with one concept what type of an application Gingko is exactly, as it cuts across a number of categories (which surely must be a sign of greatness:). What is special about Gingko is the way these disparate features are brought together. As I’m primarily interested in academic work, and more specifically in outlining and writing, for me Gingko is an outliner and a writing app. But even before I began to use it as such, I was already using it as a project planning and task management app. This might give you an idea of its versatility.
Let me focus on Gingko’s outlining and writing capabilities for now. It allows you to outline your writing in virtual index cards, in which your text can be as short or as long as you like, and which can be joined together vertically and horizontally to form columns and rows. The cards can also be freely rearranged on a virtual and more or less infinite ‘corkboard.’
Now you might say that there are some other index-card-based software out there, such as those targeting fiction writers, or that there are other virtual corkboard software where you can freely position your notes and even link them with arrows and such. Or you might say that these rows and columns sound and look just like MS Excel or tables in Word.
But this is where Gingko’s magic kicks in. It doesn’t just connect these cards in the manner of a spreadsheet or a table. Gingko in fact is a horizontal outliner. This means that e.g. when you attach a new card to an already existing card horizontally, together they are starting to form a branch within a hierarchical outline. The card on the left becomes a parent, and the card on the right becomes the child, and so on, ad infinitum.
But it gets even better. If you now add another card below that child, within the same column, the new card becomes a sibling of the card above, and another child of the aforementioned parent.
Now you might wonder: how do multiple clusters of cards connected across both columns and rows can possibly fit in the same space, if they have a different number of cards all connected in different formations? After all, outlines don’t usually have the same number of children and siblings under each parent. This is where the second bit of magic happens. When you click on any of the cards, the card and its entire cluster of parents, grandparents, siblings, children and so on rotate into view through an ingenious mechanism that works a bit like a “fruit machine” (if you’re reading this in British English), or like a “slot machine” (if you’re reading this in North-American English). The same happens if you are navigating with the keyboard arrows. It’s an incredibly clever way to navigate such a complex arrangement.
You might still ask: but what is the advantage of writing in such an application? A horizontal outline after all is just like a vertical outline, except it is laid out horizontally… But Gingko is not only a horizontal outliner. As it utilises Markdown, you can add six levels of headings anywhere in the text, which means that you can also do ‘vertical’ outlining, by promoting and demoting the text within a card (or the card itself) without having to actually move the card anywhere. E.g. by adding a Level 1 heading to a card, and a Level 2 heading to its sibling connected from below, the second card now also becomes the child of the card above (while remaining a child of any card to which its “sibling-parent” is connected on the left).
I put ‘vertical’ above in quotation marks, as—and this might sound a bit confusing initially—you can also apply this parallel or ‘vertical’ hierarchy horizontally, across the columns.
The Markdown headings are the same thing as headings in MS Word, and if you export a Gingko tree (as a Gingko document is called) as HTML and copy and paste it into Word, the headings will be automatically converted into Word headings. There is another bit of Gingko magic to exporting: horizontal and vertical hierarchies and the Markdown headings (as long as you’ve used them consistently) are all neatly arranged into a single, classical (yes, vertical) hierarchy of headings in the exported document.
But I still have not mentioned the killer feature of Gingko. Although the cards are horizontally connected through the “slot machine” mechanism, you can also ‘deactivate’ this hierarchical connection by simply scrolling away to any note in the other columns, while carrying on writing in your centred index card in your focal column. It is immensely useful to be able to call up a note that otherwise might be connected to an entirely different and distant part of the hierarchy, and view it side-by-side with the index card you happen to be editing. If you were using a traditional vertical outliner, you would have to abandon the text you are writing to scroll up or down and drill deep into branches to look for your note, losing both your original place in the outline and your train of thought.
There is a lot more to say about Gingko, but I’ll keep that for another post. In the meantime, do check out Gingko’s blog and their Youtube video, as they offer many other user case scenarios.
In response to a reader’s query, here is how to emulate a footnote using the superscript tag with Markdown,
and the Level 6 heading with Markdown, which produces small font suitable for a footnote:
The footnote area is separated from the body text by the horizontal line:
Here is a screenshot of the card in view mode:
And here is the same card in edit mode (the English spellchecker in my Firefox went a bit crazy with the Latin text :):
A new version of ConnectedText (the personal or desktop wiki that I use as my main notes database and qualitative data analysis tool) was released last week. The complete list of new features, improvements and other changes is here. I have been using the beta version for some months now but I still haven’t had time to try everything out yet. Nevertheless, here is a list of the new features that I find the most significant from my perspective as an academic researcher and writer.
- Floating windows – now it’s possible to see multiple topics (CT’s word for “document”) in freely positionable windows, while editing another topic. You can also preview the topic you are editing, if you wish.
- Named blocks – effectively a qualitative data analysis feature to mark up passages and gather them in another topic. It expands CT’s abilities as a CAQDAS alternative, although to run it on big projects one would need a powerful computer (but isn’t that the case with most CAQDAS?). I’m still trying to figure out how to make the most of this new feature, but I’m excited about the possibilities.
- Table of Contents pane – acquired some outlining capabilities, as it now works as a two-pane outliner in conjunction with the edit window. One is able to edit headings in the TOC pane and use keyboard shortcuts to move them around, and their associated text will also move with them in the editor pane.
- Outliner pane – one is now able to drop files and folders onto the tree, and save outlines as templates to be used in the edit window. Ctrl+C and Crtl+V shortcuts are now working within the Outliner.
- Ability to disable inclusions (transclusions) for a project (a CT database), which enable faster navigation of complex projects with long daisy-chains of inclusions that require a lot of processing time.
- Navigator – ability to remove nodes (topics) from the Navigator view allows for purposeful analysis of the network relationships between linked topics (by eliminating unimportant links from the picture, to reduce ‘noise’). I also like the new “Back” button, which allows you to backtrack in the network tree if you had wandered too far down into a branch.
- Auto-numbering (legal numbering) of headings in the editor.
- Conversion of imported OPML outline headings into hierarchical bullet-point outline in the editor.
Here is Manfred Kuehn’s selection of his favourite new features in CT v. 6.